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Fusion by Dalia
شهيه طيبه means Bon Appetit 36.5 cm x 36.5 cm Available for pickup, shipping and delivery at Downtown Edmonton .
This art work is poised between the decorative and the functional and can be displayed as fine or adopted in to everyday use. Inspired by the fluid movement and graceful curves of the Arabic calligraphy , is formed by sandwiching copper ,brass and mica powder between layers of glass that are fused and slumped in a kiln at temperature reaching 1500F. Texturing is a crucial element, followed by the application of enamels, mica and gold leaves.
Dancing Dervish on clear background . 17.75 cm x 29 cm
This art work, inspired by the fluid movement and graceful curves of the whirling dervish ,dance by moving their bodies and arms with the combination of music it reflects a spiritual journey. It is fused in a kiln at temperature reaching 1500F. Texturing is a crucial element, followed by the application of enamels . 7"x 11 1/2"
Dancing Dervish 22.75cm x 30.50 cm
This art work, inspired by the fluid movement and graceful curves of the whirling dervish ,dance by moving their bodies and arms with the combination of music it reflects a spiritual journey. It is fused in a kiln at temperature reaching 1500F. Texturing is a crucial element, followed by the application of enamels .
Happiness, Dimension: 15.25 cm x 40.5 cm x 25.5 cm Available for pickup, shipping and delivery at Downtown Edmonton
This art work is formed by sandwiching copper and mica powder between layers of glass that are fused and slumped in a kiln at temperature reaching 1500F. Texturing is a crucial element, followed by the application of enamels and gold leaves . The finished piece rest on a wooden base supported by copper wire. Stand included $480
WHIRLING DERVISHE 26.5cm x
This art work, inspired by the fluid movement and graceful curves of the whirling dervish ,dance by moving their bodies and arms with the combination of music it reflects a spiritual journey. It is fused in a kiln at temperature reaching 1500F. Texturing is a crucial element, followed by the application of enamels
TEAL BOUT
}collaboration with Andrea Itzec}The idea for creating the boat was a long desired artistic endeavor. The process of working with fused glass involves many steps and challenges. The initial step in the process of making the fused glass boat, started with using plaster and clay to make a mold for the glass. Working with glass is a long journey requiring patience and skill. During the firing process, one of the sides of the boat cracked so beautifully in such a way that we could not even break it so artistically had we tried. There was beauty in the imperfection in the shape of the glass and we decided to leverage this uniqueness in the glass by connecting the broken pieces rather than repeat the firing process. The glass pieces were curved in two different directions, so to connect them together with copper was a challenging process requiring skilled craftsmanship. We agreed to include the imperfections of the cracked glass and emphasize the cracks and celebrate the beauty of the imperfection rather than disguise it. This artistic piece is a metaphor of our lives- imperfection is perfection in its rawest form because in the end there really is no such thing as perfect.
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